HomeMy WebLinkAboutExhibit B.HP Guidelines Criteria.211 W Hopkins Ave
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Exhibit B
Historic Preservation Design Guidelines Criteria
Staff Findings
26.415.070.D Major Development. No building, structure or landscape shall be erected,
constructed, enlarged, altered, repaired, relocated or improved involving a designated historic
property or a property located within a Historic District until plans or sufficient information have
been submitted to the Community Development Director and approved in accordance with the
procedures established for their review. An application for a building permit cannot be submitted
without a development order.
1. Conceptual Development Plan Review
b) The procedures for the review of conceptual development plans for major development
projects are as follows:
1) The Community Development Director shall review the application materials
submitted for conceptual or final development plan approval. If they are
determined to be complete, the applicant will be notified in writing of this and a
public hearing before the HPC shall be scheduled. Notice of the hearing shall be
provided pursuant to Section 26.304.060.E.3 Paragraphs a, b and c.
2) Staff shall review the submittal material and prepare a report that analyzes the
project's conformance with the design guidelines and other applicable Land Use
Code sections. This report will be transmitted to the HPC with relevant information
on the proposed project and a recommendation to continue, approve, disapprove
or approve with conditions and the reasons for the recommendation. The HPC will
review the application, the staff analysis report and the evidence presented at the
hearing to determine the project's conformance with the City Historic Preservation
Design Guidelines.
3) The HPC may approve, disapprove, approve with conditions or continue the
application to obtain additional information necessary to make a decision to
approve or deny.
4) A resolution of the HPC action shall be forwarded to the City Council in
accordance with Section 26.415.120 - Appeals, notice to City Council, and call-up.
No applications for Final Development Plan shall be accepted by the City and no
associated permits shall be issued until the City Council takes action as described
in said section.
Relevant Historic Preservation Design Guidelines: The applicable chapters of the design
guidelines are as follows: Site Planning and Landscape Design, Materials, Windows, Doors,
Porches, Roofs, Relocation, Building Additions, New Buildings on Landmarked Properties and
Accessibility, Architectural Lighting, Mechanical Equipment, Services Areas, & Signage.
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1.1 All projects shall respect the historic development pattern or context of the block,
neighborhood or district.
• Building footprint and location should reinforce the traditional patterns of the
neighborhood.
• Allow for some porosity on a site. In a residential project, setback to setback development
is typically uncharacteristic of the historic context. Do not design a project which leaves
no useful open space visible from the street.
1.5 Maintain the historic hierarchy of spaces.
• Reflect the established progression of public to private spaces from the public sidewalk
to a semi-public walkway, to a semi private entry feature, to private spaces.
1.6 Provide a simple walkway running perpendicular from the street to the front entry
on residential projects.
• Meandering walkways are not allowed, except where it is needed to avoid a tree or is
typical of the period of significance.
• Use paving materials that are similar to those used historically for the building style and
install them in the manner that they would have been used historically. For example on
an Aspen Victorian landmark set flagstone pavers in sand, rather than in concrete. Light
grey concrete, brick or red sandstone are appropriate private walkway materials for most
landmarks.
• The width of a new entry sidewalk should generally be three feet or less for residential
properties. A wider sidewalk may be appropriate for an AspenModern property.
1.7 Provide positive open space within a project site.
• Ensure that open space on site is meaningful and consolidated into a few large spaces
rather than many small unusable areas.
• Open space should be designed to support and complement the historic building.
1.8 Consider stormwater quality needs early in the design process.
• When included in the initial planning for a project, stormwater quality facilities can be
better integrated into the proposal. All landscape plans presented for HPC review must
include at least a preliminary representation of the stormwater design. A more detailed
design must be reviewed and approved by Planning and Engineering prior to building
permit submittal.
• Site designs and stormwater management should provide positive drainage away from
the historic landmark, preserve the use of natural drainage and treatment systems of the
site, reduce the generation of additional stormwater runoff, and increase infiltration into
the ground. Stormwater facilities and conveyances located in front of a landmark should
have minimal visual impact when viewed from the public right of way.
• Refer to City Engineering for additional guidance and requirements.
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1.9 Landscape development on AspenModern landmarks shall be addressed on a case
by case basis.
1.10 Built-in furnishings, such as water features, fire pits, grills, and hot tubs, that could
interfere with or block views of historic structures are inappropriate.
• Site furnishings that are added to the historic property should not be intrusive or degrade
the integrity of the neighborhood patterns, site, or existing historic landscape.
• Consolidating and screening these elements is preferred.
1.11 Preserve and maintain historically significant landscaping on site, particularly
landmark trees and shrubs.
• Retaining historic planting beds and landscape features is encouraged.
• Protect historically significant vegetation during construction to avoid damage. Removal
of damaged, aged, or diseased trees must be approved by the Parks Department.
• If a significant tree must be removed, replace it with the same or similar species in
coordination with the Parks Department.
• The removal of non-historic planting schemes is encouraged.
• Consider restoring the original landscape if information is available, including original
plant materials.
1.12 Provide an appropriate context for historic structures. See diagram.
• Simplicity and restraint are required. Do not overplant a site, or install a landscape which
is overtextured or overly complex in relationship to the historic resource, particularly in
Zone A. In Zone A, new planting shall be species that were used historically or species
of similar attributes.
• In areas immediately adjacent to the landmark, Zone A and Zone B, plants up 42” in
height, sod, and low shrubs are often appropriate.
• Contemporary planting, walls and other features are not appropriate in Zone A. A more
contemporary landscape may surround new development or be located in the rear of the
property, in Zone C.
• Do not cover areas which were historically unpaved with hard surfaces, except for a
limited patio where appropriate.
• Where residential structures are being adapted to commercial use, proposals to alter the
landscape will be considered on a case-by-case basis. The residential nature of the
building must be honored.
• In the case of a historic landmark lot split, careful consideration should be given so as
not to over plant either property, or remove all evidence of the landscape characteristics
from before the property was divided.
• Contemporary landscapes that highlight an AspenModern architectural style are
encouraged.
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1.13 Additions of plant material to the landscape that could interfere with or block views
of historic structures are inappropriate.
• Low plantings and ground covers are preferred.
• Do not place trees, shrubs, or hedgerows in locations that will obscure, damage, or block
significant architectural features or views to the building. Hedgerows are not allowed as
fences.
• Consider mature canopy size when planting new trees adjacent to historic resources.
Planting trees too close to a landmark may result in building deteriorate or blocked views
and is inappropriate.
• Climbing vines can damage historic structures and are not allowed.
1.14 Minimize the visual impacts of landscape lighting.
• Landscape and pathway lighting is not permitted in Zone A (refer to diagram) on Aspen
Victorian properties unless an exception is approved by HPC based on safety
considerations.
• Landscape, driveway, and pathway lighting on AspenModern properties is addressed on
a case-by-case basis.
• Landscape light fixtures should be carefully selected so that they are compatible with the
building, yet recognizable as a product of their own time.
• Driveway lighting is not permitted on Aspen Victorian properties.
• Landscape uplighting is not allowed.
1.17 No fence in the front yard is often the most appropriate solution.
• Reserve fences for back yards and behind street facing façades, as the best way to
preserve the character of a property.
1.18 When building an entirely new fence, use materials that are appropriate to the
building type and style.
• The new fence should use materials that were used on similar properties during the
period of significance.
• A wood fence is the appropriate solution in most locations.
• Ornate fences, including wrought iron, may create a false history are not appropriate for
Aspen Victorian landmarks unless there is evidence that a decorative fence historically
existed on the site.
• A modest wire fence was common locally in the early 1900s and is appropriate for Aspen
Victorian properties. This fence type has many desirable characteristics including
transparency, a low height, and a simple design. When this material is used, posts
should be simply detailed and not oversized.
1.19 A new fence should have a transparent quality, allowing views into the yard from
the street.
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• A fence that defines a front yard must be low in height and transparent in nature.
• For a picket fence, spacing between the pickets must be a minimum of 1/2 the width of
the picket.
• For Post-WWII properties where a more solid type of fence may be historically
appropriate, proposals will be reviewed on a case-by-case basis.
• Fence columns or piers should be proportional to the fence segment.
1.20 Any fence taller than 42” should be designed so that it avoids blocking public
views of important features of a designated building.
• A privacy fence should incorporate transparent elements to minimize the possible visual
impacts. Consider staggering the fence boards on either side of the fence rail. This will
give the appearance of a solid plank fence when seen head on. Also consider using
lattice, or other transparent detailing on the upper portions of the fence.
• A privacy fence should allow the building corners and any important architectural
features that are visible from the street to continue to be viewed.
• All hedgerows (trees, shrub bushes, etc.) are prohibited in Zones A and B.
1.27 Preserve and maintain significant landscaping on site.
• Protect established vegetation during any construction.
• If any tree or shrub needs to be removed, replace it with the same or similar species.
• New planting should be of a species used historically or a similar species.
• Maintain and preserve any gardens and/or ornamental planting on the site.
• Maintain and preserve any historic landscape elements.
2.1 Preserve original building materials.
• Do not remove siding that is in good condition or that can be repaired in place.
• Masonry features that define the overall historic character, such as walls, cornices,
pediments, steps and foundations, should be preserved.
• Avoid rebuilding a major portion of an exterior wall that could be repaired in place.
Reconstruction may result in a building which no longer retains its historic integrity.
• Original AspenModern materials may be replaced in kind if it has been determined that
the weathering detracts from the original design intent or philosophy.
2.2 The finish of materials should be as it would have existed historically.
• Masonry naturally has a water-protective layer to protect it from the elements. Brick or
stone that was not historically painted shall not be painted.
• If masonry that was not painted historically was given a coat of paint at some more recent
time, consider removing it, using appropriate methods.
• Wood should be painted, stained or natural, as appropriate to the style and history of the
building.
2.3 Match the original material in composition, scale and finish when replacing
materials on primary surfaces.
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• If the original material is wood clapboard for example, then the replacement material
must be wood as well. It should match the original in size, and the amount of exposed
lap and finish.
• Replace only the amount required. If a few boards are damaged beyond repair, then only
those should be replaced, not the entire wall. For AspenModern buildings, sometimes
the replacement of a larger area is required to preserve the integrity of the design intent.
3.1 Preserve the functional and decorative features of a historic window.
• Features important to the character of a window include its frame, sash,
muntins/mullions, sills, heads, jambs, moldings, operations, and groupings of windows.
• Repair frames and sashes rather than replacing them.
• Preserve the original glass. If original Victorian era glass is broken, consider using
restoration glass for the repair.
3.2 Preserve the position, number, and arrangement of historic windows in a building
wall.
• Enclosing a historic window is inappropriate.
• Do not change the size of an original window opening.
3.3 Match a replacement window to the original in its design.
• If the original is double-hung, then the replacement window must also be double-hung.
If the sash have divided lights, match that characteristic as well.
3.4 When replacing an original window, use materials that are the same as the original.
3.5 Preserve the size and proportion of a historic window opening.
• Changing the window opening is not permitted.
• Consider restoring an original window opening that was enclosed in the past.
3.6 Match, as closely as possible, the profile of the sash and its components to that of
the original window.
• A historic window often has a complex profile. Within the window’s casing, the sash steps
back to the plane of the glazing (glass) in several increments. These increments, which
individually only measure in eighths or quarters of inches, are important details. They
distinguish the actual window from the surrounding plane of the wall.
• The historic profile on AspenModern properties is typically minimal.
4.1 Preserve historically significant doors.
• Maintain features important to the character of a historic doorway. These include the
door, door frame, screen door, threshold, glass panes, paneling, hardware, detailing,
transoms and flanking sidelights.
• Do not change the position and function of original front doors and primary entrances.
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• If a secondary entrance must be sealed shut, any work that is done must be reversible
so that the door can be used at a later time, if necessary. Also, keep the door in place,
in its historic position.
• Previously enclosed original doors should be reopened when possible.
4.2 Maintain the original size of a door and its opening.
• Altering its size and shape is inappropriate. It should not be widened or raised in height.
4.3 When a historic door or screen door is damaged, repair it and maintain its general
historic appearance.
4.7 Preserve historic hardware.
• When new hardware is needed, it must be in scale with the door and appropriate to the
style of the building.
• On Aspen Victorian properties, conceal any modern elements such as entry key pads.
5.1 Preserve an original porch or balcony.
• Replace missing posts and railings when necessary. Match the original proportions,
material and spacing of balusters.
• Expanding the size of a historic porch or balcony is inappropriate.
5.5 If new steps are to be added, construct them out of the same primary materials
used on the original, and design them to be in scale with the porch or balcony
• Steps should be located in the original location.
• Step width should relate to the scale of entry doors, spacing between posts, depth of deck,
etc.
• Brick, red sandstone, grey concrete, or wood are appropriate materials for steps.
7.1 Preserve the original form of a roof.
• Do not alter the angle of a historic roof. Preserve the orientation and slope of the roof as
seen from the street.
• Retain and repair original and decorative roof detailing.
• Where the original roof form has been altered, consider restoration.
7.2 Preserve the original eave depth.
• Overhangs contribute to the scale and detailing of a historic resource.
• AspenModern properties typically have very deep or extremely minimal overhangs that are
key character defining features of the architectural style.
7.4 New vents should be minimized, carefully, placed and painted a dark color.
• Direct vents for fireplaces are generally not permitted to be added on historic structures.
• Locate vents on non-street facing facades.
• Use historic chimneys as chases for new flues when possible.
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7.5 Preserve original chimneys, even if they are made non-functional.
• Reconstruct a missing chimney when documentation exists.
7.7 Preserve original roof materials.
• Avoid removing historic roofing material that is in good condition. When replacement is
necessary, use a material that is similar to the original in both style as well as physical
qualities and use a color that is similar to that seen historically.
7.8 New or replacement roof materials should convey a scale, color and texture similar
to the original.
• If a substitute is used, such as composition shingle, the roof material should be earth
tone and have a matte, non-reflective finish.
• Flashing should be in scale with the roof material.
• Flashing should be tin, lead coated copper, galvanized or painted metal and have a
matte, non-reflective finish.
• Design flashing, such as drip edges, so that architectural details are not obscured.
• A metal roof is inappropriate for an Aspen Victorian primary home but may be appropriate
for a secondary structure from that time period.
• A metal roof material should have a matte, non-reflective finish and match the original
seaming.
7.10 Design gutters so that their visibility on the structure is minimized to the extent
possible.
• Downspouts should be placed in locations that are not visible from the street if possible,
or in locations that do not obscure architectural detailing on the building.
• The material used for the gutters should be in character with the style of the building.
9.1 Developing a basement by underpinning and excavating while the historic structure
remains in place may help to preserve the historic fabric.
• This activity will require the same level of documentation, structural assessment, and
posting of financial assurances as a building relocation.
9.2 Proposals to relocate a building will be considered on a case-by-case basis.
• In general, on-site relocation has less of an impact on individual landmark structures
than those in a historic district.
• In a district, where numerous adjacent historic structures may exist, the way that
buildings were placed on the site historically, and the open yards visible from the street
are characteristics that should be respected in new development.
• Provide a figure ground study of the surrounding parcels to demonstrate the effects of a
building relocation.
• In some cases, the historic significance of the structure, the context of the site, the
construction technique, and the architectural style may make on-site relocation too
impactful to be appropriate. It must be demonstrated that on-site relocation is the best
preservation alternative in order for approval to be granted.
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• If relocation would result in the need to reconstruct a substantial area of the original
exterior surface of the building above grade, it is not an appropriate preservation option.
9.3 Site a relocated structure in a position similar to its historic orientation.
• It must face the same direction and have a relatively similar setback. In general, a forward
movement, rather than a lateral movement is preferred. HPC will consider setback
variations where appropriate.
• A primary structure may not be moved to the rear of the parcel to accommodate a new
building in front of it.
• Be aware of potential restrictions against locating buildings too close to mature trees.
Consult with the City Forester early in the design process. Do not relocate a building so
that it becomes obscured by trees.
9.4 Position a relocated structure at its historic elevation above grade.
• Raising the finished floor of the building slightly above its original elevation is acceptable if
needed to address drainage issues. A substantial change in position relative to grade is
inappropriate.
• Avoid making design decisions that require code related alterations which could have been
avoided. In particular, consider how the relationship to grade could result in non-historic
guardrails, etc.
9.5 A new foundation shall appear similar in design and materials to the historic
foundation.
• On modest structures, a simple foundation is appropriate. Constructing a stone
foundation on a miner’s cottage where there is no evidence that one existed historically
is out of character and is not allowed.
• Exposed concrete or painted metal flashing are generally appropriate.
• Where a stone or brick foundation existed historically, it must be replicated, ideally using
stone salvaged from the original foundation as a veneer. The replacement must be
similar in the cut of the stone and design of the mortar joints.
• New AspenModern foundations shall be handled on a case by case basis to ensure
preservation of the design intent.
9.6 Minimize the visual impact of lightwells.
• The size of any lightwell that faces a street should be minimized.
• Lightwells must be placed so that they are not immediately adjacent to character defining
features, such as front porches.
• Lightwells must be protected with a flat grate, rather than a railing or may not be visible
from a street.
• Lightwells that face a street must abut the building foundation and generally may not
“float” in the landscape except where they are screened, or on an AspenModern site.
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9.7 All relocations of designated structures shall be performed by contractors who
specialize in moving historic buildings, or can document adequate experience in
successfully relocating such buildings.
• The specific methodology to be used in relocating the structure must be approved by
the HPC.
• During the relocation process, panels must be mounted on the exterior of the building to
protect existing openings and historic glass. Special care shall be taken to keep from
damaging door and window frames and sashes in the process of covering the openings.
Significant architectural details may need to be removed and securely stored until
restoration.
• The structure is expected to be stored on its original site during the construction process.
Proposals for temporary storage on a different parcel will be considered on a case by
case basis and may require special conditions of approval.
• A historic resource may not be relocated outside of the City of Aspen.
10.1 Preserve an older addition that has achieved historic significance in its own right.
10.2 A more recent addition that is not historically significant may be removed.
• For Aspen Victorian properties, HPC generally relies on the 1904 Sanborn Fire Insurance
maps to determine which portions of a building are historically significant and must be
preserved.
• HPC may insist on the removal of non-historic construction that is considered to be
detrimental to the historic resource in any case when preservation benefits or variations
are being approved.
11.1 Orient the new building to the street.
• Aspen Victorian buildings should be arranged parallel to the lot lines, maintaining the
traditional grid pattern.
• AspenModern alignments shall be handled case-by-case.
• Generally, do not set the new structure forward of the historic resource. Alignment of
their front setbacks is preferred. An exception may be made on a corner lot or where a
recessed siting for the new structure is a better preservation outcome.
11.2 In a residential context, clearly define the primary entrance to a new building by
using a front porch.
• The front porch shall be functional, and used as the means of access to the front door.
• A new porch must be similar in size and shape to those seen traditionally.
11.3 Construct a new building to appear similar in scale and proportion with the historic
buildings on a parcel.
• Subdivide larger masses into smaller “modules” that are similar in size to the historic
buildings on the original site.
• Reflect the heights and proportions that characterize the historic resource.
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11.4 Design a front elevation to be similar in scale to the historic building.
• The primary plane of the front shall not appear taller than the historic structure.
11.6 Design a new structure to be recognized as a product of its time.
• Consider these three aspects of a new building; form, materials, and fenestration. A
project must relate strongly to the historic resource in at least two of these elements.
Departing from the historic resource in one of these categories allows for creativity and
a contemporary design response.
• When choosing to relate to building form, use forms that are similar to the historic
resource.
• When choosing to relate to materials, use materials that appear similar in scale and finish
to those used historically on the site and use building materials that contribute to a
traditional sense of human scale
• When choosing to relate to fenestration, use windows and doors that are similar in size
and shape to those of the historic resource.
11.7 The imitation of older historic styles is discouraged.
• This blurs the distinction between old and new buildings.
• Overall, details shall be modest in character.
12.3 Exterior light fixtures should be simple in character.
• The design of a new fixture should be appropriate in form, finish, and scale with the
structure.
• New fixtures should not reflect a different period of history than that of the affected
building, or be associated with a different architectural style.
• Lighting should be placed in a manner that is consistent with the period of the building,
and should not provide a level of illumination that is out of character.
• One light adjacent to each entry is appropriate on an Aspen Victorian residential
structure. A recessed fixture, surface mounted light, pendant or sconce will be
considered if suited to the building type or style.
• On commercial structures and AspenModern properties, recessed lights and concealed
lights are often most appropriate.
12.4 Minimize the visual impacts of utilitarian areas, such as mechanical equipment and
trash storage.
• Place mechanical equipment on the ground where it can be screened.
• Mechanical equipment may only be mounted on a building on an alley façade.
• Rooftop mechanical equipment or vents must be grouped together to minimize their
visual impact. Where rooftop units are visible, it may be appropriate to provide screening
with materials that are compatible with those of the building itself. Use the smallest, low
profile units available for the purpose.
• Window air conditioning units are not allowed.
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• Minimize the visual impacts of utility connections and service boxes. Group them in a
discrete location. Use pedestals when possible, rather than mounting on a historic
building.
• Paint mechanical equipment in a neutral color to minimize their appearance by blending
with their backgrounds
• In general, mechanical equipment should be vented through the roof, rather than a wall,
in a manner that has the least visual impact possible.
• Avoid surface mounted conduit on historic structures.
Staff Finding: The basic concept of this project, preserving the Pan Abode with no addition,
and placing all new construction in a detached rear unit is ideal in terms of the preservation
guidelines.
The application includes guideline compliant restoration work on the Pan Abode, including
removal of a non-original addition and restoration of the rear facade, removing non-historic paint
and shutters, and restoring windows. Staff recommends restudy of a fenced area directly on the
west side of the historic resource to preserve public views of the structure as described in
guideline 1.20.
Regarding the addition, staff finds the location to be appropriate. The building area is limited in
footprint. Staff does find that some restudy of this structure is needed per guidelines 11.3, 11.4
and 11.6. The new unit appears to be somewhat imposing behind the historic resource,
particularly due to the low pitched but wide gable end sitting behind the Pan Abode. The
materiality and fenestration on the new unit also appear to be too close a match to the resource,
blurring the reading that the construction at the rear of the site is detached.
Staff recommends restudy as described above.