HomeMy WebLinkAboutminutes.hpc.19870310HISTORIC PRESERVATION CO[~IITTBE
March 10, 1987
Meeting was called to order by chairman Georgeann Waggaman with
Nick Pasquarella, Patricia O'Bryan, Zoe Compton, Charles
Cunniffe, Bill Poss, Marge Riley, Mary Martin and Charles Knight
present.
Georgeann made the motion to approve the minutes of February 17,
1987. Nick second the motion. All approved.
COIOIUNxT~' CHURCH WESTERN ENTRY AND CANOPY
Graeme Means, architect, stated that the only changes aside from
the proportion is a change from a window and a door to a double
door similar to the entry way. The general geometry is the same.
Drawings of concern are the side elevation and the front eleva-
tion. The materials on the side walls are fishtail wood
shingles. The trim color would be the same red color as the
dormer. The colors for the whole outside of the church, at some
point, might possibly be repainted. The shingles on the dormer
roof and on the shed roof would be cedar wood shingles dipped in
a graphite material which turns them black. On bell towers, this
is how they used to do it. This makes the shingles slippery and
it water proofs the singles somewhat.
Mary Martin stated that on her house they used wood shingles
dipped in graphite and the graphite flaked off.
Graeme Means stated he heard about this technique but he hasn't
learned enough about it and will discuss the technique with Mary
after the meeting.
Mary Martin stated that the graphite does seal the wood but when
it dries out it flakes off and the shingles are no longer sealed.
Graeme Means stated that the lighting would be a forged iron
light with crosses. The light will illuminate down to illuminate
the walk and the steps. It also will illuminate upward in order
for the stained glass window to project illumination to the
street. Graeme brought the stone sample and displayed it to HPC.
The intention of the stone is to match the original of the church
and the sample stone is as close as can be.
Georgeann Waggaman asked if Graeme has taken the stone over to
the site for comparison.
Graeme Means stated that four shades are available of the
Colorado rose stone. He will fine tune the color with the
representative of Colorado Stone Co.
Georgeann Waggaman
enough and she has
design.
stated the color of the sandstone is close
no problem with the other materials or the
Marge Riley stated that she has gone to the church for many years
and the color is very close.
Steve Burstein asked Graeme to explain the doorway further e.g.,
dimensions and materials.
Graeme Means stated the existing door is small, we will be
removing all the stone and leaving a pillar. The door would be a
double door made out of wood and painted a red color on the
outside.
Steve Burstein asked if the door is off-set with a lot of
symmetry.
Graeme Means stated the door is off-set, the reason being as you
come down the steps the door will be able to open and miss
hitting the first step.
Mary Martin asked Graeme if he asked for an extended awning on
the south entrance that can be drawn back.
Graeme Means stated that Mary's suggestion is a good idea.
Steve Burstein asked Graeme if he had all of his approvals.
Graeme Means stated he had an encroachment license and a var-
iance.
Nick Pasquarella made motion to approve the final review of the
Community Church. Mary Martin second the motion. All approved.
SHAFT BUILDING
Bill Poss stepped down and Larry McKenzie, architect, resumed the
discussion pertaining to the Shaft.
Larry McKenzie stated at the last presentation it was generally
felt that the conceptual design was not sensitive enough to the
overall historic district. It was not sensitive specifically to
the buildings across the street and generally too contemporary of
a design with the smooth finish of sandstone, the window treat-
ment, and the way the atrium glazing was presented. After re-
evaluation we had to agree with a lot of the comments at the last
presentation that it is too contemporary. We now have a design
that is compatible with the historic district. One that responds
more directly to the adjacent buildings and to the HPC guide-
lines. There were a few problems from the last meeting, some-
times presentations at this scale are hard to understand the
details that need to be going on. We also had some problems with
the model in that it wasn't detailed enough. You see the whole
thing all at once and it is real hard to visualize what it may
look like if you were standing at street level looking at this
building. This building sets in the midst of a number of other
buildings, some of which are very massive. This building does
have to relate to other buildings. We are asking for a concept-
ual approval of the design not a lot of specifics.
There is as 42 foot high structure around the building that sits
across the building on the opposite corner. The intent was to
design a building in materials, massing, proportions, and
detailing with the historic buildings and some of the victorian
characters that are present in Aspen. We did not desire to
duplicate some of the existing buildings. We wanted to react to
the character and technology of modern architecture. In certain
instances we have taken historic elements and given them modern
applications. We have then detailed these elements with a
historic flavor that is compatible and responsive to historic
architecture. We feel we have a design that relates to the
historic nature of the town and some modern elements that we wish
to inject.
In materials we previously showed a sandstone building and after
reevaluation we have gone to a brick facade with a lot of
sandstone banding, and sandstone detailing. Bulkheads are in
front and on the Hunter St. side. The building will have stone
window seals, which are prevalent in the building directly
across Cooper Street. We have gone to smaller panes of glass in
the atrium. Atriums were an historic element in a lot of old
railroad stations and public buildings, and we have tried to take
that element and use it to our advantage. Older atriums had
almost eye beam sections, the bolts and rivets were exposed. We
can almost reproduce that detail in this atrium.
Marge Riley asked Larry McKenzie, architect, to explain the
atrium and if there is something in town that looks like the
model.
Kim Wiel, architect, stated there is nothing like it in town.
Kim brought pictures to show the fine detailing. This atrium
will be more organic looking, you will see the eye beams and all
its fasteners.
Larry McKenzie stated the atrium has a clipped corner that is an
historic element. The atrium provides a vertical element with
the angled finish which is reflected across the street. It is
not the same materials but you get the same massing and the same
general feel. We have tried to relate to the buildings across
the street. The windows have changed a little. Larry feels that
the design is very complex and it responds to a lot of constra-
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ints. It gives to a very historic flavor. Larry feels the
design is headed in the direction the architect and the HPC
should feel comfortable with.
Kim Wiel, architect, brought a scale model of the building for
HPC to review.
Pat O'Bryan stated that she would feel better with a more rounded
effect. It is the church like point that bothers her.
Nick Pasquarella stated that he likes the model.
Zoe Compton stated that from the last presentation it is 180
degrees more wonderful. She feels it relates to what is across
the street. Her only question was architecturally, what if it
didn't have a pitch, and what if it were rounded to soften it?
Kim Wiel, architect, stated when you round it you loose the
vertical element.
Marge Riley stated she likes the design but doesn't quite
understand the atrium.
Klm Wiel, architect, stated that the atrium is open and in about
14 feet there is a stairway that goes up to a mezzanine that
looks into the atrium.
Mary Martin wanted to know why they changed from the sandstone.
Kim Wiel, architect, stated when you start adding banding and
other things the building starts looking heavy.
Larry McKenzie stated the brick brings out the details of the
cornice and makes the building more responsive to the victorian
buildings across the street.
Steve Burstein, Planning Department, stated that some of the
elements that were changed are for the better. He is not
bothered by changing from sandstone to brick. The atrium reaches
a 38 feet peak to the top, it is not an atrium feature, it is a
monumental feature that is appropriate in a public building or a
railroad station. Steve doesn't see it fitting in very well into
the historic district although he appreciates the pitch in that
it is similar to the buildings across the street. Atriums in
Aspen such as the Jerome are hidden structures, they are not
massive exposed glass.
Zoe Compton asked what would happen if the atrium had fewer
windows?
Kim Wiel stated the reason the atrium is in this configuration is
because they haven't found a use for the deck yet. It does take
light down, it is not going to be sunny but you aren't going to
be in a shadow either. That is why they want to keep it open.
You will be able to look right out through the building.
Steve stated that the second floor windows are creating a strong
horizontal band and he wondered if any thoughts have been given
to a more vertical element.
Kim Wiel stated those are not second floor windows, we have no
floor back there. We put the awnings in to give a horizontal
clear store window effect. They felt creating a horizontal band
wasn't that bad, as banding is a historic element.
Zoe Compton stated that her concern is the glass mass of the
atrium. On the floor level you have glass doors and the awing is
glass, possibly you could soften the glass with a cloth awning or
wooden doors. Something should be done to the front panel to
coordinate with the building.
Mary Martin stated in reference to the atrium the architect has
license to build and design in a contemporary fashion and be
allowed a great freedom in building a 1987 building. Mary feels
no more comments should be placed in front of the architects as
they have spent hours going through this and she feels the design
is appropriate for the space and the atrium blends.
Steve Burstein stated that if you look at the atrium from Hunter
Street there is a fair amount of exposure.
Georgeann stated that the architect has the right to sink or swim
as he will and design the building the way he desires. What
concern is the mass of glass also but possibly that will be
addressed in the way the building is detailed.
Georgeann Waggaman stated that a motion was on the floor to give
preliminary approval of the Shaft. All favored. Motion carries.
Tabled public hearing to final approval meeting March 24, 1987.
Public Hearing March 31, 1987 at 2:30 p.m. for final review on
the Ute building. Special session.
LITTLE CLIFF'S
Jesse Graber, contractor, stated that the original concept was to
take off the stucco from the old building and restore the brick
finish somewhat similar to the Jerome. This will be impossible
to do. The stucco is coming off and it is also taking the face
of the brick. The owners desire to fix the stucco and add some
trim. If the stucco is removed it will damage the building's
structure. The Little's want a good looking building.
Marge Riley stated that the building has no historic value, and
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she suggests flower boxes out in front to enhance the building.
Steve Burstein stated on October 28, 1987 the Committee did give
final approval to Little Cliff's and was approved in hopes that
the stucco could be removed, but it was understood that it might
not be possible. Steve stated there are three appropriate
materials available for the addition even though it is not
visible from Main St. One option would be the use of stucco
material, the second would be to use clapboard siding and the
third would be to use brick. Steve is not sure if brick is still
an option that the Little's are still interested in pursuing.
Mary Martin stated that she felt stucco, or whatever is the least
expensive for the owner because they have had a hard time getting
open and she believes that their expenses are a heartship for
them. Mary also agreed with the hearts and flowers that Marge
Riley suggested is a good idea also and could be done at a low
cost. The building is an 1880's building. Henry Weber had the
brick building built and twenty years later stucco was added.
Pat O'Bryan stated that the refurbishing should get going.
Jesse Graber stated the most visible area will be broken up by a
patio which was approved. The building will be painted and have
nice window treatment.
Georgeann stated that the Committee needs some kind of a design
drawing. She stated that hearts and flowers or as Tyrolean motif
is not necessarily appropriate because that was one short element
of time in Aspen history.
Zoe Compton stated that architecturally that building, built
during that time, was a working store and the stucco was a
preservative to preserve the mortar. Zoe stated that the hearts
and flowers would spoil the simplicity of the building.
Jesse Graber stated they were leaving the windows as is and
thermal-paneing them from the interior.
Charles Cunniffe stated the building should be treated as a
present day building and not try to imitate any period. It is a
contemporary day building and doesn't need over stated.
Nick Pasquarella stated that the building is only one brick
thick. When they attempted to remove the stucco the brick
started coming loose. Nick suggested patching the stucco and
coming up with good colors.
Georgeann stated that we don't want a color that will bring
attention to the building, no victorian colors.
Mary Riley stated she was out voted but she still is leaning
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toward the Tyrolean look.
Bill Poss stated that you have to preserve the integrity of the
historic building that is there now and not duplicate what it is
not, but it is up to the applicant.
Jesse Graber will bring drawings at the next meeting April 14,
1987. The front elevation will be patched and painted.
Bill Poss stated that he felt Jesse didn't need to come back to
HPC because there are no structural changes in the building. The
building will be repaired and painted. Committee suggested Jesse
work with Bill Poss on the stucco and keep HPC informed.
Work session scheduled to go over the code amendment March 12,
1987, from 5:00 p.m. to 7:00 p.m.
Meeting adjourned at 4:00 p.m.
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