HomeMy WebLinkAboutagenda.apz.19910312A G E N D A
ASPEN PLANNING AND ZONING COMMISSION
SPECIAL MEETING
March 12, 1991, Tuesday
4:30 P.K.
2nd Floor Meeting Room
City Hall
ART PARR / TROLLEY / SNOWMELT CONCEPTTT?°_T. 47PA
MEMORANDUM
Date: 8 March 1991
From: Roger H. Hunt
To: Aspen Planning and Zoning Commission
subj: My Participation with the Commission regarding the
Aspen Trolley Project
Ref: City Attorney, Jed Caswell, memo dated 7 March 1991
I am writing this memo to you to give you my background and
involvement in transportation issues, to disclose my relationship
with the Aspen Trolley Project, and to give you this information
before the meeting of 12 March 1991 in order to minimize the
discussion time I will be requesting before I decide what my
involvement should be in that meeting. I also hope that this
will inform the City Council of the problems with ordinance 50 as
the City Attorney has expressed to us so that they may take
action to improve the ordinance.
Since the 1973 Transportation Task Force for Aspen - Snowmass
Rail, I have been actively involved in most of the transportation
studies, plans, and projects affecting Aspen. I was first
appointed to the P&Z in February 1975 and then subsequently with
one of my interview positions being a systemic approach to
transportation planning and within that a strong advocacy of
alternatives to the automobile -- a position consistent with the
expressed goals of City Council.
Since 1981, the six trolley cars incorporated in this project
have been and are the property of the City of Aspen. The purpose
of the Aspen Trolley Project is to utilize the trolley cars in a
system to be built and installed through the financial
sponsorships and donations of private businesses and institutions
and then, upon completion, be given to the City of Aspen. The
Project has been brought to this point for the City review
process through contributions and donations of many people
(including mine) of time, material, and money. With the
assistance of the Planning Department, the Engineering
Department, RFTA, and others, I have provided information,
various schematics and tracings, etc. to the City Council prior
to this submittal and to the Project for this submittal. I have
scrupulously avoided any financial or other liaison with this
Project which could be construed as a conflict of interest, and I
expect to avoid any in the future.
The City Attorney advises me to abstain from matters of the
trolley before the P&Z because there may be an appearance of
partiality. First, I would be just as "partial" to any
transportation proposal or mode that would fulfill a community
need as well or better. But second, my involvement with the
Trolley Project has been no more or less than the involvement of
many "city officials" in such public or quasi -public projects as
Commuter Rail, Pedestrian Bikeway Trail Plan, in -town School
Sites, and Aspen Meadows/Institute. I and I think the City
Council believe that this type of involvement is what makes this
Community work. Finally, the trolleys have been through an
objective matrix selection process before the P&Z, CCLC, and City
Council. That process has already created a partiality favoring
use of the trolleys in addressing the needs of a documented
pedestrian/transit/transportation corridor.
In the particular case of the Trolley Project, I would riot have a
joining problem stepping down and the Planning Office/Presenter
side of the table as a Transportation Planner/Advocate. However,
that is clearly not allowed under ordinance 50. As the ordinance
is interpreted and executed, it can bar a citizen access to and
making a statement in a public hearing -- a flaw that City
Council must address. After talking with the P&Z Chairman and
briefly with an attorney familiar with the P&Z, I believe that I
should fully participate at this time. However, I will decide
after our discussion.
Copies: City Council
City Manager
City Attorney
Planning Director
K
MEMO
TO: City Planning and Z-0-ning Department
FROM: Roberth Hart'`
RE: Aspen Thea re Company
DATE: -February 28, 1991
I am writing to lend my support to the Aspen Theatre Company's
proposed new building to house their productions.
In order to properly prepare theatre productions, the Aspen
Theatre Company requires the uninterrupted use of a rehearsal
space, preferably -in the same location as where the performances
take place.
MAA's daily use of the Wheeler Opera House during our summer
occupancy period and our projected daily use of the new
rehearsal/performance facility each summer preclude the Aspen
Theatre Company from utilizing either facility for its
productions.
Post Office Box AA, Aspen, Colorado 81612 303/925-3254 Fat: 303/925-3802
AZusic Associates of Aspen, Inc. • Aspen Alusic Festival & School
Carolyn Diffenbaugh
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To the Planning and Zoning Commission:
i am a long-time resident and businessman of the
Roaring Fork Valley. My wife and I have enjoyed very much over
the years the productions of the Aspen Theatre Company.
We believe the theater is a growing asset in our community
and wish to see it continue. We would also wish to see the
theater gain a permanent facility. Please give them your
earnest consideration.
Gordon Whitmer
The Mother Lod
To the Planning and Zoning Commission:
I am. a long -mime resident of Aspen, and have been a
supporter of the Aspen Theatre Company from, the beginning.
M.y husband end I have enjoyed the many productions of this fine
company. We also wish to see it gain more permanence with
a theater facility of its own. Please give them your most serious
consideration.
Sincerely,
fA`^• 1 i
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Of the Hotel Lenado
and the Sardy House
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'�SPEN 81611
,OLORADO
303) 925-3481
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February 26, 1991
Aspen City Council
P.O.Box 10431
Aspen, Co. 81611
Re: Art Park
I believe the proposed "Art Park" is the best use for the
Rio Grande Property along the river. The "ART Park" is
compatible with Aspen's Cultural Life. It is a worth-
while expansion of the Art Museum and the volunteer
work is encouraging.
Sincerely,
Fredric Benedict
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deborah barnekow
March 2, 1991
To the Members of the Planning and Zoning Commission:
As a member of the performing arts community, I would like to
advocate the plans submitted to you by the Artpark Planning
Committee to build a permanent structure within the Artpark area
near the Art Museum. There is a need for a moderate size perfor-
mance space for the theater community, the ballet and other
theater -related performing groups. The whole valley has in-
creased interests in these areas and we should plan to keep
pace with it.
During the busiest season, summer, theater activities are
presented in a less than adequate tent. Though the Aspen
Theater Company has done an excellant ,job in presenting top
quality performances there they deserve better. Such a
facility need not compete with the Wheeler Opera House as
the W.O.H. is occupied nearly all summer with MAA activities.
Many events call for a smaller, more intimate space, with less
expense involved for production and rental costs.
Locating a theater building within the Artpark has a twofold
benefit. This especially beautiful property along the river
is_strat.egically located close to town, close to residential
areas and on a major bus line. But as well the park is
located near the parking garage to facilitate out of town
guests -,-avoiding heavy impact- on local streets. - - -
For the arts community to continue to grow and thrive, this
facility is greatly needed. We need to keep the arts as healthy
as we can. As a musician and interested citizen, I strongly
urge you to approve these plans.
Sincerely yo s,
p. o. box 4726
aspen, colorado 616-12 (303) 925-845
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March 6, 1991
Susie Langenkamp
ASPEN THEATRE COMPANY
Post Office Box 8677
Aspen, CO 81612
Dear Susie:
With regard to your 'inquiry concerning the
availability of our current gymnasium space once we
have moved to our summer tenancy in the Aspen School
District Auditorium, I provide the following comments:
1. You should contact Tom Farrell,
Superintendent, Aspen School District RE-1 for further
confirmation on its availability. I can tell you that
we have been informed that the District's need for
gymnasium space is enormous and we were advised that
the space would in all likelihood be unavailable to
us, other than on an occasional, scheduled basis.
Apparently, in addition to their own school -related
needs, they have obligations for community
recreational programs that preclude other
organizations using the gym areas.
2. Be aware that the re -configuration of the
gymnasium space that we accomplish each year prior to
the festival is an enormous _undertaking, and an
expensive one. Not only does it require up to forty
people for the initial set-in and tear down but over
the years we have invested in many .structural
additions (such as the waterfall curtain) which
conform to the domed nature of the room. These are
quite old now and probably would need replacing in the
near future. This would be a very expensive
undertaking.
Susie, in conclusion I suspect that the availability
of this space is unlikely. As you know, we have
invested heavily in our tenancy in the new school. At
one point we inquired as to the gym spaces continued
availability to us for rehearsal, small scale work,
works -in -progress and it was unlikely that we could
have it.
I believe that the Aspen Theatre Company has made a substantial
mark on this community, producing work that is challenging and of
high quality. I would hope that your theatre company would be
spared the many years of artistic concession that we have had to
bear at the dance festival and that a modest theatre of your own
could be established at the Rio Grande. Gymnasiums are, by their
nature, intent and design suitable for many things so long as they
include nets, sticks and spheres. Beyond that, they are quite
useless. Back in the late K's and 70's, it was quite fashionable
for theatres to tour the country performing the classics in school
gymnasiums or, as they charmingly referred to them, 'cafetoriums'.
As a result, an entire generation of young people grew up in
America believing that Macbeth, or Our Town or Death of A Salesman
was done at center court. Do we wonder why the audiences for the
performing arts in the this country are dwindling?
In any case, I wish you well on putting your case forward about the
need you have for a home. You do need it, you do deserve it and
the community would be immeasurably enriched by its presence.
Good luck!
Sincerely.,
JEFFREY J. BENTLEY
Executive Director - - -
JJB/mi
WHY OTHER SPACES IN ASPEN ARE NOT USABLE BY TATC
1. THE WHEELER OPERA HOUSE
* Booked for the summer (see Robert Harth memo).
* No rehearsal space and no set building space.
* 500 seat auditorium is too big.
* Rental costs are too expensive.
PLANNED MAA REHEARSAL FACILITY
* MAA projects daily use of facility in summer (see Robert Harth memo).
* As designed, the interior is not suitable for theatre productions.
* Performance hall is too big.
* Rental costs are anticipated to be too expensive.
3. PROPOSED EXPANSION OF WHEELER OPERA HOUSE
* Will require significant expenditure of taxpayer funds for expansion.
* Difficulty of creating compatible addition to Historic Landmark.
* Parking is not available in the downtown area.
* Potential controversy from loss of downtown vest pocket park/open space.
* Wheeler Board is not pursuing this option at the present time. (according
to Jon Busch phone call to Alan Richman, 3/6/91).
4. NEW ELEMENTARY SCHOOL
* Dance Aspen has invested in and booked this space for the summer (see
Jeff Bentley letter).
5. ASPEN HIGH SCHOOL GYM
* Planned .for school/community recreation programs (see Jeff Bentley letter).
* $12,000 set up/take down costs
* 420 seat auditorium is too big.
* The space is not suitable for theatre productions.
6. PAEPCKE AUDITORIUM
* Booked for the summer
* Insufficient electrical power
* No back stage, no rehearsal or set building space
* . 345 seat auditorium is too big.
* Rental costs are too expensive.
WHY A THEATRE TENT DOES NOT WORK FOR TATC
1. Not a year round facility.
2. Not a secure space for valuable equipment and property.
3. Subject to wide swings of temperature.
4. Rain, wind and outside noise are disruptive.
5. Unsafe for electrical power.
6. No storage space.
7. No set building space.
8. No rehearsal or meeting place.
9. No plumbing/no running water.
10. Costly repairs needed; a new tent would be expensive and not solve
any of the above problems.
WHAT THE NEW TATC FACILITY WILL INCLUDE
1. Space for;
* set building;
* storage;
* rehearsals;
* auditions; and
* meetings.
2. Security for valuable equipment.
3. Opportunity for shared use with other arts and community groups.
4. Lobby/gallery area.
5. Bathroom facilities.
6. 200 comfortable seats.
7. Professional light booth.
8. Ability to screen films.
9. Resident accommodations for visiting artists.
10. No public parking on -site; reliance on existing public parking structure.
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